Experience the yoga journey. Relaxation, pranayama, and soothing music…
The Pilgrimage of the Heart Mediation Podcast is a recorded broadcast of Sujantra’s weekly Tuesday night meditation class held in San Diego California. Each week Sujantra introduces a new topic related to meditation and leads the class through various types of meditations including: visual concentration, yogic concentration, breathing techniques, chanting and much more.
Ep 63 – Experience the yoga journey. Relaxation, pranayama, and soothing music for meditation with Shambhu.
Let’s skip the name dropping and talk about this very impressive solo debut that contrary…
by Michael Debbage
According to Shambhu’s website this guitarist has previously performed with Carlos Santana, Narada Michael Walden and Whitney Houston to name a few. But let’s skip the name dropping and talk about this very impressive solo debut that contrary to its album cover is not flowery and light but actually a very expressive recording that fuses organic contemporary instrumental music with light elements of jazz and world themes. Of course it does not hurt to have the Will Ackerman team, however this does not take away from the creative juices that flow from this new solo artist who co-produced and wrote eleven of the twelve impressive songs.
Shimmering Sitar and Guitar Work
The album is anchored in the mature opening track “Together” that features a conservative Charlie Bisharat on violin with the legendary bassist Tony Levin gently driving this mid tempo song. Similar results can be found on “Natural Moment” this time with Shambhu’s shimmering sitar and guitar work giving the grounded composition a unique folksy yet exotic feel. Shambhu also adds the vocal chants of Claytoven Richardson on “Maui Breeze” and “Hide And Seek” cloaking the music with a bossa nova edge to it.
In contrast, Shambhu also captures a more tender approach best illustrated by the poignant “Eyes Of A Child”, the sublime “Revelation” and even the subdued restrained passion of “Imagine.” On the latter, Ackerman not only co-writes but also performs alongside Shambhu and veteran bassist Michael Manring who sounds like he is performing on a fretless bass, that only adds to the smooth silky sound. Shambhu takes an even more meditative approach on the likes of “Nirab Amare” and “Call To Spirit” and then seizes the opportunity to add a Western flavor on “Shiva Grove” by adding a jazz element courtesy of George Brooks’ saxophone as he intertwines with flutist Ravichandra Kulur. Simply brilliant!
An Album of Integrity and Maturity
Shambhu may have an unusual name and along with the meditative and very light artwork of the album cover, this may not be the smartest marketing decision as the meditative influence is nominal at best. However, this would certainly support the expression of don’t judge the “book” by its cover. Simply put, Scared Love is an album of integrity and maturity that is very capable of exploring several genres yet still creating a very cohesive and entertaining album making it the sleeper hit of 2010.
Dreaming Of Now not only matches Shambhu’s first offering but frankly abundantly exceeds it. But be ready to just follow the musical escapade…
by Michael Debbage
Shambhu’s impressive 2010 debut took many by surprise however a follow up album especially after a strong debut is always a difficult position to be in. Nevertheless, Dreaming Of Now not only avoids the dreaded sophomore jinx but it will put to rest any doubt that Sacred Love was just a fleeting musical moment. In fact Dreaming Of Now not only matches Shambhu’s first offering but frankly abundantly exceeds it. But be ready to just follow the musical escapade you are about to embark on as the guitarist continues his boundless musical exploration yet creating a complete unified musical vision.
A Smorgasbord of Musical Dishes
Once again Shambhu teams up with Will Ackerman behind the production board along with several musical guests including the more obvious choices of Charlie Bisharat on violin, Eugene Friesen on cello and Jeff Oster on flugelhorn. Add in the instruments such as the saxophone, flutes and various levels of percussion and combine that with Shambhu’s tasty guitar work on both acoustic and electric and you have all the ingredients for a smorgasbord of musical dishes all for your listening consumption.
The album opens with the optimistic “Waterfall” that cascades and flows with the joy of George Brooks’s saxophone countering with Friesen’s cello all anchored around Shambhu’s melodic guitar work. It completely sets the tone of Dreaming Of Now that is simply heavenly. Followed immediately by the more moody “Windows Of Time” that then flings you into the toe tapping breezy “Starbucks Landing” will keep you keenly aware that this artist, much like his debut, refuses to pigeon hole himself into one specific musical style. “Starbucks Landing” focuses on the electric guitar and no it is not Carlos Santana but our very own Shambhu’s letting loose.
Dreaming Of Now is not without its dreamy moments that can be best found on the title track with Premik Russell Tubbs’ flute work floating effortlessly with Shambhu’s softly shaded acoustic work. This less complicated composition is utterly mesmerizing. The lighter musical hues can also be found on “Country Aire”, “Devodance” or even better yet the naked and stark yet gorgeous closer “Sanctuary” where Shambhu shows us he is capable of doing a superfine William Ackerman like performance but in his own musical tongue.
You Will Like from Start to Finish
Shambhu lost his element of surprise after his strong debut, however this does not take away from the absolute beauty found on Dreaming Of Now. With absolutely no filler, Shambhu’s follow up effort shows an artist that has not only blossomed but has also formally announced himself as a ready for prime time musician. The only question is in which genre? It does not matter as Shambhu takes elements of World, Smooth Jazz, New Age and Meditative qualities to create a musical experience that you will like from start to finish making it one of 2013’s finest releases.