Dreaming Of Now not only matches Shambhu’s first offering but frankly abundantly exceeds it. But be ready to just follow the musical escapade…
by Michael Debbage
Shambhu’s impressive 2010 debut took many by surprise however a follow up album especially after a strong debut is always a difficult position to be in. Nevertheless, Dreaming Of Now not only avoids the dreaded sophomore jinx but it will put to rest any doubt that Sacred Love was just a fleeting musical moment. In fact Dreaming Of Now not only matches Shambhu’s first offering but frankly abundantly exceeds it. But be ready to just follow the musical escapade you are about to embark on as the guitarist continues his boundless musical exploration yet creating a complete unified musical vision.
A Smorgasbord of Musical Dishes
Once again Shambhu teams up with Will Ackerman behind the production board along with several musical guests including the more obvious choices of Charlie Bisharat on violin, Eugene Friesen on cello and Jeff Oster on flugelhorn. Add in the instruments such as the saxophone, flutes and various levels of percussion and combine that with Shambhu’s tasty guitar work on both acoustic and electric and you have all the ingredients for a smorgasbord of musical dishes all for your listening consumption.
The album opens with the optimistic “Waterfall” that cascades and flows with the joy of George Brooks’s saxophone countering with Friesen’s cello all anchored around Shambhu’s melodic guitar work. It completely sets the tone of Dreaming Of Now that is simply heavenly. Followed immediately by the more moody “Windows Of Time” that then flings you into the toe tapping breezy “Starbucks Landing” will keep you keenly aware that this artist, much like his debut, refuses to pigeon hole himself into one specific musical style. “Starbucks Landing” focuses on the electric guitar and no it is not Carlos Santana but our very own Shambhu’s letting loose.
Dreaming Of Now is not without its dreamy moments that can be best found on the title track with Premik Russell Tubbs’ flute work floating effortlessly with Shambhu’s softly shaded acoustic work. This less complicated composition is utterly mesmerizing. The lighter musical hues can also be found on “Country Aire”, “Devodance” or even better yet the naked and stark yet gorgeous closer “Sanctuary” where Shambhu shows us he is capable of doing a superfine William Ackerman like performance but in his own musical tongue.
You Will Like from Start to Finish
Shambhu lost his element of surprise after his strong debut, however this does not take away from the absolute beauty found on Dreaming Of Now. With absolutely no filler, Shambhu’s follow up effort shows an artist that has not only blossomed but has also formally announced himself as a ready for prime time musician. The only question is in which genre? It does not matter as Shambhu takes elements of World, Smooth Jazz, New Age and Meditative qualities to create a musical experience that you will like from start to finish making it one of 2013’s finest releases.
Shambhu’s Website Amazon iTunes CD Baby
Michael Debbage writes music reviews and interviews artists for MainlyPiano.com. He is a regular contributor to the Pilgrimage Yoga Online blog.
Calming, Joyful, and Uplifting – Bhakti is Grammy-nominated/ award-winning composer and multi-instrumentalist…
by Kathy Parsons
Calming, Joyful, and Uplifting
Bhakti is Grammy-nominated/ award-winning composer and multi-instrumentalist Paul Avgerinos’ nineteenth album to date. Best-known for his ambient music, Avgerinos goes in a different direction with Bhakti (a Sanskrit word that means love and devotion). Avgerinos has practiced yoga, meditation, chanting and devotional singing all of his life and became a student of a Bhakti yoga guru from India when he was sixteen. He has been very active in a small Christian church for the past twenty years although he was raised in the Greek Orthodox church. Using a combination of Eastern and Western musical traditions and instruments as well as chanting and singing, Avgerinos has brought all of those influences together into a musical celebration of love and devotion. Calling it a “must have for energizing any yoga practice,” Bhakti is very calming, joyful, and uplifting. Avgerinos sings several of the tracks – a first in almost ten years – and also plays bass, a variety of guitars, keyboards, and did the sound design. Guest artists appear on sarod, EWI, “angelic” vocals, sitar, and violin. All of this is backed by “Bollywood” beats and Christian Sanskrit mantras. Warm and accessible, this is music that should appeal to a broad audience for both its spiritual and musical offerings. Six of the eleven tracks are primarily instrumental although most of those have wordless vocals. All have a strong Indian influence.
Ambient and Meditative
Appropriately, Bhakti begins with “Invocation,” a very peaceful opening that sets the spiritual tone of the album. “Shanti Om” is more of a chant sung by beautiful, ethereal voices with a simple but very rhythmic background that becomes more complex as the piece evolves. “Love and Devotion” combines Sanskrit and English lyrics in an upbeat, joyful song with jazz flute passages and a catchy beat. “Om Namah Christaya” is a favorite. Voices are layered (including Avgerinos’) in a very peaceful chant/song backed with a strong rhythm that gives the song a quality that is very serene as well as invigorating. “A Path with Heart” is my favorite of the instrumentals. A bit more Western in its approach, Eastern instrumentation combines beautifully with ambient keyboard sounds – very soothing. “Hare Jesu” again puts Avergerinos’ voice in the forefront in a chant that is both Christian and Hindu – fascinating! Although angelic voices are utilized, “Joy of Being” is primarily an instrumental that is sometimes melodic and sometimes ambient. “Forgiveness and Healing” is a 9-minute track that goes even more ambient and meditative. The closing track, “Peaceful Contentment” provides well over ten minutes of tranquility – gentle and blissful throughout.
Enlightening Listening Experience
Bhakti is quite an unusual but very enlightening listening experience. Paul Avgerinos is likely to garner a great deal of attention and probably another round of awards with this one! It is available from Amazon and iTunes.
Kathy Parsons writes music reviews and interviews artists for MainlyPiano.com. She is a regular contributor to the Pilgrimage Yoga Online blog.
Doorway To a Dream is Native American and World flutist Ann Licater’s follow-up to her award-winning 2007 debut, Following the Call.
A Healing Dream
Doorway To a Dream is Native American and World flutist Ann Licater’s follow-up to her award-winning 2007 debut, Following the Call. The album is an invitation to embark on “a healing dream journey to the infinite expanses of your imagination and the sacred spaces within.” Licater is joined by an impressive ensemble of musicians that includes Jose Neto, Jeff Oster, Peter Phippen, and Shambhu. Licater performs on six different types of flutes, including wood and clay instruments and silver alto flute. She studied Native American flute with R. Carlos Nakai and facilitates “Flute For the Soul” workshops where participants explore how contemporary replicas of ancient wood and clay flutes can be used as tools for personal discovery, spiritual practice, and relaxation. Each of the fourteen tracks has its own special meaning along the dream journey, and it is recommended that Doorway To a Dream be listened to from beginning to end for an inspirational meditation for unwinding and escaping into the dream.
Relax and Surrender
Doorway To a Dream begins with the title track, which offers a seductive invitation to relax and surrender to the music. Flute, ambient sounds and delicate wind chimes begin our journey. “Shades of Light” is a gentle flute duet that takes us through the “doorway.” “Into the Heart” is a favorite. Light percussion creates a rhythmic backdrop for the haunting and almost mournful flute. “Xiao Garden” is a gorgeous flute solo that takes the listener deeper into a dream state. “Angel Bird” is another favorite, and features Shambhu on acoustic guitar – very light and carefree. I also really like “Bridges In Time,” with slow, graceful flute backed by ambient sounds – very dreamy and flowing. Jose Neto joins Licater on “Earth to Sky” playing Coral electric sitar which has a fascinating sound. Troy Arnett adds some lovely piano as well. “Divine Love” is a rapturous flute duet that has background keyboard washes for additional color. Jeff Oster appears on “Radiance” with his distinctive flugelhorn – a very unusual but beautiful combination of instruments. “Floating” brings us to the end of our dream journey, bathed in light and deeply refreshed. Piano (William Hoshal) and ethereal keyboard washes create a dreamscape for Licater’s delicate flute.
Doorway To a Dream offers the listener a very soothing hour of musical tranquility. It’s available from www.annlicater.com, Amazon, CD Baby, and iTunes. Recommended!
Ann’s Website Amazon iTunes CD Baby
Kathy Parsons writes music reviews and interviews artists for MainlyPiano.com. She is a regular contributor to the Pilgrimage Yoga blog.