Review: Shambhu: Sacred Love

Let’s skip the name dropping and talk about this very impressive solo debut that contrary…

0

by Michael Debbage

According to Shambhu’s website this guitarist has previously performed with Carlos Santana, Narada Michael Walden and Whitney Houston to name a few. But let’s skip the name dropping and talk about this very impressive solo debut that contrary to its album cover is not flowery and light but actually a very expressive recording that fuses organic contemporary instrumental music with light elements of jazz and world themes. Of course it does not hurt to have the Will Ackerman team, however this does not take away from the creative juices that flow from this new solo artist who co-produced and wrote eleven of the twelve impressive songs.

Shimmering Sitar and Guitar Work

The album is anchored in the mature opening track “Together” that features a conservative Charlie Bisharat on violin with the legendary bassist Tony Levin gently driving this mid tempo song. Similar results can be found on “Natural Moment” this time with Shambhu’s shimmering sitar and guitar work giving the grounded composition a unique folksy yet exotic feel. Shambhu also adds the vocal chants of Claytoven Richardson on “Maui Breeze” and “Hide And Seek” cloaking the music with a bossa nova edge to it.

Sign-up for membership

Simply brilliant!

In contrast, Shambhu also captures a more tender approach best illustrated by the poignant “Eyes Of A Child”, the sublime “Revelation” and even the subdued restrained passion of “Imagine.” On the latter,  Ackerman not only co-writes but also performs alongside Shambhu and veteran bassist Michael Manring who sounds like he is performing on a fretless bass, that only adds to the smooth silky sound. Shambhu takes an even more meditative approach on the likes of “Nirab Amare” and “Call To Spirit” and then seizes the opportunity to add a Western flavor on “Shiva Grove” by adding a jazz element courtesy of George Brooks’ saxophone as he intertwines with flutist Ravichandra Kulur. Simply brilliant!

An Album of Integrity and Maturity

Shambhu may have an unusual name and along with the meditative and very light artwork of the album cover, this may not be the smartest marketing decision as the meditative influence is nominal at best. However, this would certainly support the expression of don’t judge the “book” by its cover. Simply put, Scared Love is an album of integrity and maturity that is very capable of exploring several genres yet still creating a very cohesive and entertaining album making it the sleeper hit of 2010.

Shambhu’s Website     Amazon     iTunes      CD Baby

Michael Debbage writes music reviews and interviews artists for MainlyPiano.com.  He is a regular contributor to the Pilgrimage Yoga Online blog.

View
Review: Eric Tingstad: Mississippi

I LOVE THIS ALBUM! Mississippi is primarily Eric Tingstad with some bass and percussion support from the very capable hands of Chris Leighton, Garey Shelton,…

0

by Kathy Parsons

Okay, before I go any farther, let me just say I LOVE THIS ALBUM! There isn’t a piano to be found on any of the eleven tracks, but there is some very tasty organ.

Mississippi is primarily Eric Tingstad with some bass and percussion support from the very capable hands of Chris Leighton, Garey Shelton, James Clark, Ben Smith and TJ Morris – and Eric Robert on “organ and whirly.” Tingstad performs on a variety of electric and acoustic guitars, banjo, pedal steel guitar, and resophonic.

Sign-up for membership

Inspired by the American Landscape

He wrote in a recent blog post, “Mississippi is my musical expression of how we are inspired by, and relate to, our American landscape. This is my take on the region that has come to be known as the Cradle of American Music – centered in the delta, and expanding to include the Americana Music Triangle.” Tingstad composed all of the music except for his stunning arrangement of “Danny Boy,” and there isn’t a weak track on the whole album. As a reviewer, I have to admit that sometimes it feels like my ears are getting kind of jaded, but then something like Mississippi comes along that is so fresh, beautifully recorded, and full of life that I want to go back through the artist’s entire catalog to hear what else I’ve missed.

A Grammy Winner

To backtrack a bit, Eric Tingstad has been recording since 1982 and released fourteen albums with Nancy Rumbel (as Tingstad and Rumbel) on the Narada label from 1987-2004. After that, he chose to move on as an indie artist and producer and has been honored with many awards and nominations, including a Grammy win and a second Grammy nomination. Mississippi should increase those numbers!

Leaves My Soul Happy and Refreshed

The album begins with “Long Boats,” an upbeat and very rhythmic piece that sets the tone of the album. Banjo, pedal steel, electric and acoustic guitars plus organ and percussion give this blues-tinged piece an American flavor that no one could mistake as anything else. “Shakin’ in the Cradle” has some down-home finger-pickin’ with organ and electric guitar added for additional color. The title track is slow and sultry, and is a perfect musical description of the southern US. With hints of B.B. King and slow dances from decades ago, “Trail of Tears” gets me every time – a heartbreaker. “Skamania” picks up the tempo a bit and is full of fun – love the organ on this one! “Durango” takes on an air of mystery in a somewhat more southwestern musical style and has a completely infectious rhythm. The lively and sunny “Chester” brings this fantastic album to a close, leaving my ears as well as my soul refreshed and happy.

Sure to be one of my Top Favorites for 2015, Mississippi is available from www.erictingstad.com, Amazon, iTunes, and CD Baby. I give it my highest recommendation.

Eric’s Website     Amazon     iTunes     CD Baby

Kathy Parsons writes music reviews and interviews artists for MainlyPiano.com.  She is a regular contributor to the Pilgrimage Yoga Online blog.

 

View
Review: Shambhu: “Dreaming of Now”

Dreaming Of Now not only matches Shambhu’s first offering but frankly abundantly exceeds it. But be ready to just follow the musical escapade…

0

by Michael Debbage

Shambhu’s impressive 2010 debut took many by surprise however a follow up album especially after a strong debut is always a difficult position to be in. shambhu_Pilgrimage -SMALLNevertheless, Dreaming Of Now not only avoids the dreaded sophomore jinx but it will put to rest any doubt that Sacred Love was just a fleeting musical moment. In fact Dreaming Of Now not only matches Shambhu’s first offering but frankly abundantly exceeds it. But be ready to just follow the musical escapade you are about to embark on as the guitarist continues his boundless musical exploration yet creating a complete unified musical vision.

A Smorgasbord of Musical Dishes

Once again Shambhu teams up with Will Ackerman behind the production board along with several musical guests including the more obvious choices of Charlie Bisharat on violin, Eugene Friesen on cello and Jeff Oster on flugelhorn. Add in the instruments such as the saxophone, flutes and various levels of percussion and combine that with Shambhu’s tasty guitar work on both acoustic and electric and you have all the ingredients for a smorgasbord of musical dishes all for your listening consumption.

Simply Heavenly

The album opens with the optimistic “Waterfall” that cascades and flows with the joy of George Brooks’s saxophone countering with Friesen’s cello all anchored around Shambhu’s melodic guitar work. It completely sets the tone of Dreaming Of Now that is simply heavenly. Followed immediately by the more moody “Windows Of Time” that then flings you into the toe tapping breezy “Starbucks Landing” will keep you keenly aware that this artist, much like his debut, refuses to pigeon hole himself into one specific musical style. “Starbucks Landing” focuses on the electric guitar and no it is not Carlos Santana but our very own Shambhu’s letting loose.

PYO.yoga Ad

Dreamy Moments

Dreaming Of Now is not without its dreamy moments that can be best found on the title track with Premik Russell Tubbs’ flute work floating effortlessly with Shambhu’s softly shaded acoustic work. This less complicated composition is utterly mesmerizing. The lighter musical hues can also be found on “Country Aire”, “Devodance” or even better yet the naked and stark yet gorgeous closer “Sanctuary” where Shambhu shows us he is capable of doing a superfine William Ackerman like performance but in his own musical tongue.

You Will Like from Start to Finish

Shambhu lost his element of surprise after his strong debut, however this does not take away from the absolute beauty found on Dreaming Of Now. With absolutely no filler, Shambhu’s follow up effort shows an artist that has not only blossomed but has also formally announced himself as a ready for prime time musician. The only question is in which genre? It does not matter as Shambhu takes elements of World, Smooth Jazz, New Age and Meditative qualities to create a musical experience that you will like from start to finish making it one of 2013’s finest releases.

Shambhu’s Website     Amazon     iTunes     CD Baby

Michael Debbage writes music reviews and interviews artists for MainlyPiano.com.  He is a regular contributor to the Pilgrimage Yoga Online blog.

View